Unmasking Urban Hypocrisy: A Review of 'Bravely Fought the Queen'

Bravely fought the queen

Bravely fought the queen

Mahesh Dattani’s ‘Bravely Fought the Queen’ invites readers into a riveting examination of familial intricacies and societal masks prevalent in contemporary urban India. Originally unveiled in Mumbai in 1991, this theatrical piece intricately weaves two distinct narrative realms: the primary stage, where the facade of an ostensibly 'ordinary' family life is unmasked, and a secondary setting that lays bare the characters' true aspirations and intentions. The plot centers around two brothers, Jiten and Nitin, alongside their spouses, Dolly and Alka, and their matriarch, Baa, whose influence seamlessly connects the two estranged households. With a relentless rhythm and incisive dialogue, Dattani deftly traverses the turbulent waters of romantic discord, sibling enmity, intergenerational strife, and the convoluted nature of personal and professional ties. As the drama escalates toward its riveting climax, it unveils profound insights into the complexities inherent in urban existence, solidifying Dattani's stature as a preeminent figure in Indian theatre. This stimulating narrative compels audiences to confront the submerged realities lurking beneath societal conventions and expectations.

  • Author: Dattani Mahesh
  • Publisher: Penguin India (1 April 2006)
  • Genre: Plays & Drama
  • ISBN: 978-0143062073
  • Pages: 100 pages